DIGIFIL aims to digitise and publish the Dutch “Filmladders” (the weekly listings of movie showtimes at local cinema theatres or other venues). The screenings constitute the focal point of film culture: they are the place where distributors, exhibitors and audiences meet. Collecting information about these encounters yields an invaluable resource for linguists, socio-economic historians and […]
My research focuses on the role of cinemas in British twentieth-century society. In particular, I am researching how cinemas operated as sites of public emotion and how their spatial characteristics contributed to a permissive and distinct emotional economy far-removed from the cliché of the British stiff-upper-lip. The research explores how and why cinemas became emblematic […]
The US Exhibition and Reception of Julien Bryan’s Documentaries for International Understanding, 1947-1985
I am currently researching the distribution, exhibition and reception of the educational documentaries of Julien Bryan (1899-1974) both in and outside the traditional US classroom. In the 1940s, 1950s and 1960s Bryan produced and directed a large number of films on peoples around the world for the US Coordinator of Inter-American Affairs (CI-AA) and for […]
Turkishcine.ma is a film archive and database which uses a wiki structure to enable a continuous growth of updated material that include texts and images on Turkish cinema. The basic structure of the database is buillt on Turkish Flm Guide (Turkish Ministry of Culture and Tourism, SESAM: 2008) and IMDb data. Currently the archive includes […]
The subject of the project is early cinema exhibition and other forms of popular entertainment in big cities and small town environment of Polish provinces of the Russian Empire before WWI in the context of modernity and modernization. In this way I would like to contribute to two academic debates: 1) on the history of […]
The project investigates the distinctive development of distribution and exhibition from travelling shows to large fixed-site cinemas in urban, rural and small-town Scotland, as well as the production of local topicals and the factors which seem to have inhibited the development of a sustainable feature film production capacity.
Discussing the role of old films in film distribution and exhibition before 1940. A special case are the films which remained in circulation for many years: the evergreens which would never get a mention in a top ten of popular films or in a canon of historical merit, focusing on the track record of films, […]
When in 1896 viewers flocked to the cinematograph shows to marvel at the ‘latest wonder’: the ‘living photographs’, they sat down facing a white wall looking forward, without any doubt, to watch pictures made from light which soon would emerge on that wall. In 1896, the cinematograph was a novelty, but pictures projected on a […]
Cinemagoing and film exhibition in the Great War era in Belgium.
I have a longstanding interest in audiences for Indian films and their formation within particular exhibition networks, economies and environments. To date, my research has encompassed dispersed transnational audiences for playback media, crossover audiences in the festival circuit and cinema audiences in different parts of the world. As part of this wider interest in exhibition, […]